If nothing else, I am a terrible promoter of my art work. I have never really come to terms with whether it is any good or not, or if anyone truly likes it. I ride the wave of temporary outbursts of excitement about a piece and even the occasion sale. But, in the stillness and quiet of the closet, I peek through the keyhole and wonder. However, I am awash in the kindness of my friends. My history is littered with my doubts of measuring up, being good enough, and what if they really knew. That said, I love my work … the good, the bad, and the ugly. I am drawn to it … not always in its wholeness or completeness, but in the compilation of and imagination of it. I fully understand that a piece of work can speak to you. It is a conversation held from inception to the time the brush and palatte are laid aside. All too often with my work, these are private conversations.
Nevertheless, my original point was that much of my work would have to be dispersed in some way. A few pieces would make the journey with me … Picnic Dreams, for above the couch and the driftwood sculpture for over the mantel.
Picnic Dreams |
River Bounty |
Jim Maland contacted me about an art auction to support Windham Child Care. He dropped by one morning for coffee and pastries and selected three pieces from the barn … a driftwood sculpture, Deep Waters, and two of the tongue-in-cheek birdhouses, Toulouse-Lautrec and Peck's Bad Boy at the Circus. It will be interesting to see what these will bring at the auction.
Deep Waters |
Peck's Bad Boy |
I offered special prices for work to my Facebook and BAMS friends. Deep down, I have this lingering thought that they are buying pieces just to be nice. But, like I said, I have great friends.
Bill and Lena stopped by and chose a covered bridge painting. need pic
as did Lorna from taichi, who chose the purple flower.
Purple Flower |
Even though she is running out of places to put them, Leeann came by to get two of the driftwood pieces:
and a sculpture, Facades.
Facades |
Bill from Baker Brook Road (a friend of Paul's) chose the flip flop sculpture.
Flip Flop |
Peggy wanted a driftwood piece, Starry Night.
Starry Night |
Poor relatives. They never saw what hit them. They no sooner realized that I had come for a visit … were fat and sassy from a big meal … when I presented them with the gift sculptures. They were trapped and speechless.
I chose Industrial Devotion for Carl and Lily (it had rusty gears embedded it).
Industrial Devoution |
Pink |
Peyton and James got a driftwood piece. James tried it out on his head, but I understand he settled on a spot over the mantel. ( I just noticed that Peyton is "framed" in this shot.)
Poor Brittain and Lauren. Not only did they have to put us up and feed us for a week, they also got a driftwood piece called Voyager. I think it made it to a wall in the dining room/kitchen. Seeing as they live at the beach, I went with the nautical theme even though my art rivers and streams are about somewhat darker waters.
Voyager |
Paul and I are exchanging pieces of work. He chose Rabbit Holes which I had planned to take with me, but am really glad that he chose it. I am not sure what I will get from him … he is being a bit secretive about it. All I know is that it will be inequitable. I will love anything that he decides upon … I love his work. Furthermore, Paul is a real artist … the real deal!
Rabbit Hole |
Daylilies |
A couple of sculptures, I decided to hang for the new owners.
I am hesitant to say that there is yet other options for dispersal. Time is running short and in the end there will be work that must leave the barn regardless. Perhaps, they will go to the FREE pile to be picked apart by the yard sale scavengers. I hesitate, for this seems brutal even to me. Instead, I think most will join me at the fire pit. In the flames, I will saver them one final time, and that is not a bad way to go.
BURN BABY BURN!
And then, there were three … I just could not bear to leave these old friends behind.
After the Fall |
Portuguese Paving Stones |
Dissociative Episode |